Life Is Art (Flash Fiction)

She and I were sitting at a table at the big window in the Sanctuary drinking mugs of cold beer. Before the Sanctuary went out of business, it was only a few blocks from the Cathedral of Learning of the University of Pittsburgh. My friend was in her forties and was working on her doctorate. I was in my fifties working on my baccalaureate.

“Sex sex sex,” my friend was saying. “That’s all you men ever think about.”

 
“It’s not all we think about. But it is what gets men and women together in the first place.”

 
“No it’s not,” she said. “You claim to know so much about women. And I’ll tell you something else, too. No matter how good the sex is it won’t keep a couple together.”

“Have you ever known a married couple with a lousy sex life?”

“Have you ever known one with no life outside of sex?” she said.

I think we were both a little drunk. “Lay Down” by Melanie played on the jukebox. A nice mix of Pitt students from different countries was in the place. I looked through the big window at the buildings, cars parked along the street and at the people passing by. Inside, the Sanctuary was pleasantly dim and cool. Outside, it was a hot, bright, lovely September afternoon. I didn’t mind being in my fifties. I didn’t mind being an undergraduate at Pitt.

“So,” I said, “what’s the solution?”

“Guy, darling, what makes you think there is one.”

The Form Of Flash Fiction (Article)

Let’s talk about form. While I was working on my Master’s I taught as a Teaching Assistant two terms of Composition and one term of Creative Writing and one term of Fiction Writing. In the Fiction Writing class I tried to explain in simple, logical language several elements of the short story that I had found out about through constant experimentation. Experimentation can be a very slow process. So, here are a few insights about the form of the short story no matter what its length is.

The form of the short story is the setup, the buildup and the payoff. That’s it. Some writers are more skilled than others at hiding this form but it’s there all right and I would guess that this form has not changed for successful story writing since our ancestors painted stories on the wall of caves.

Now a piece of fiction can be successful without this form but what you have is not a short story. It’s a sketch. Publications that are looking for short stories probably will not publish a sketch. So, make sure your flash fiction is a short story and not a sketch.

One more thing; the payoff must signal some sort of change has taken place. Without this movement, this change your fiction is still a sketch. A short story is a journey that starts at point A and it cannot end at point A. In flash fiction you just have to get to point B. Point G is for short stories and point Z is for the novel.

Old Hollywood (Article)

The second addition of the history of the Warner Brothers film company was shown on Public TV in Pittsburgh last night.  Clips were shown from “The Wild Bunch,” “Cool Hand Luke,” “Dirty Harry,” “Batman,” “A Streetcar Named Desire,” “Bonnie and Clyde,” and several others. 

There were James Cagney, Bette Davis, Marlon Brandon, Joan Crawford, Clint Eastwood, Doris Day and lots more.  For a couple of hours I forgot about my own problems and allowed myself to be transported into the magical world of the movies.

Then the program ended and I went to bed.  In a few hours it would be time to face another day of anxiety.

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