How Does Good Flash Fiction Work?

The shorter a piece of flash fiction is, the deeper it should be.

Hello, my brother and sister bloggers and writers.  It’s a warm, overcast Monday afternoon in Pittsburgh.

The “idea” of flash fiction is a wonderful thing: that a writer can present an entire story in a few hundred words.

What baffles many writers in the writing of flash fiction is, their very short stories always come out flat.

To keep your flash fiction and very short stories from coming out flat, just remember that your story should always be a part of a much longer story, a story that began before the first word and will continue after the last word.

That’s about the best way the Old Soldier can put it.

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The Education Of A Writer

You don’t need a college degree to be a writer.  Now don’t get me wrong.  A college education is always nice to have and the degree that comes with it can set you up to make a decent living until you finish the Great American Novel; but the education of a writer goes far beyond the number of years put into a university degree.

What really makes a writer is applying the seat of the pants to the seat of the chair.  That means struggling with words.  That means being alone with your thoughts.  That means coming up with good short story ideas.

Writing is about writing.

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Take a moment to download my Ebook of “show don’t tell” fiction.  Not only will you be entertained but it will also help to make you a better writer.  The Ebook tab is at the top of the page.

Become A Better Writer Overnight

It is my belief that writing cannot be taught.  It can only be found.  And the Old Soldier is here to help you find it. 

Hello hello hello, my brother and sister flash fiction writers and bloggers.  What a hot day it is in Pittsburgh this Sunday afternoon.  Of course, you know what’s on my mind: writing and flash fiction.  If you have the same thing on your mind, you’ve come to the right blog.

Here are three short definitions of flash fiction that may help you to stay focused while you are writing your own flash fiction stories.

Flash fiction captures a moment in time.

Flash fiction is a significant event given closure.

The words left out are just as important as the words left in.  If the words left in are the right words in the right order, they will imply the words left out.

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Movement in a short story is absolutely necessary.  If there is no movement you don’t have a story.  Instead, you have a sketch. 

The shorter your story is the less movement you need to make it a story.  Also, the less movement there is in a story the more believable the story will be. 

What do I mean by movement?  Movement is the amount of narrative distance your short story has to travel to reach its resolution.  So, if you’re writing a 200-word short short the story had better begin just before the resolution.  If you’re writing a 2,000-word story you can begin further away from the resolution.

When a writer creates a story, there must be just the right amount of movement to make the story seem true.

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Take your writing to the next level almost over night.  Download my Ebook of “show don’t tell” fiction.  Not only will you be entertained you will also become a better writer.  The Ebook tab is at the top of the page.

My Father Was A Wife Beater

Yes, my brother and sister bloggers and writers.  My father was a wife beater.  It was a very painful time in my life.  I was just a kid.  He stopped beating my mother when I was around fifteen, but kids don’t forget.  My father’s dead now.  Mom, bless her soul, is still living.

Being the oldest son, I always felt guilty about not protecting my mother.  But knowing my father, if I had ever raised a hand against him he probably would have killed me.  He was a professional boxer before he got married and worked in the steel mills in Pittsburgh while I was growing up. 

You want to know where ideas for flash fiction stories come from?  They come from life.  The following 115-word story is based upon my life…

If you are new to the Pittsburgh Flash Fiction Gazette take out a subscription so you won’t miss anything.  The subscription tab is at the top of the page.

To move your writing to the next level in a matter of days, download my Ebook of “show don’t tell” fiction.  You won’t be disappointed.  The Ebook tab is at the top of the page, too. 

A flash fiction writer takes mud and makes gold out of it.

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Basic Training

My father was a wife beater. So in 1964 at the age of seventeen I enlisted in the army to get away from home…

“Hey, Carter!” Murphy called across the barracks. Everyone was working on his gear. I sat on my foot locker spit shinning my boots.

“Yeah!” I called back.

“You ever eat a woman?”

Eat a woman? I really didn’t know what that meant. Besides, I got flustered around girls. All the older men in the barracks were listening.

“Sure,” I called back.

“Oh, yeah,” he called. “Well, tell me. How did it taste?”

“Salty,” I called.

Several of the older guys laughed appreciatively. Murphy did not harass me for the rest of the day.

The End

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Writing Sexy Flash Fiction

Writing Cannot Be Taught

Okay, today the Old Soldier is going to give you some tough love.  I can’t teach you to be a better writer.  No one can.  I can point the way.  I can give you examples of good writing.  But I cannot give you the love of good writing or the need to do good writing. 

And that’s right.  If you want to do good writing it can’t be a hobby.  It must be a need.  You must need to be a good writer.

I’m sorry to be the one to tell you.  If you just “like” to write this blog is not for you.  If you “need” to write, let me welcome you to the Pittsburgh Flash Fiction Gazette.

Don’t miss an issue.  The free subscription tab is at the top of the page.

And if you want to move your writing to the next level overnight, download my Ebook of “show don’t tell” fiction.  The Ebook tab is at the top of the page, too.

Short Story Ideas That Work

Writing Sexy Flash Fiction

New Flash Fiction by Wayne Scheer

The Old Soldier has a new flash fiction story for you today…
  
Hello hello hello my brother and sister flash fiction writers and bloggers.  It’s an overcast warm, Thursday afternoon in Pittsburgh.  I’m working on a six-pack of 16-once-cold beers and I’m ready to rock and roll.
 
If you haven’t already taken out a free subscription for the Pittsburgh Flash Fiction Gazette, now would be a good time to do it.  The subscription tab is at the top of the page.
 
And if you really want to move your fiction writing to the next level, download my Ebook of “show don’t tell” fiction.  The Ebook tab is at the top of the page, too.  You will not be disappointed.  Be entertained and informed at the same time.
 
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The Photograph 

When I was five, I asked my mother why my father had left.    

I watched her nose turn red and her lips tighten.  That told me much more than her stammering attempt to explain.   

I never asked about him again.  Still, she spent her life trying to form an answer for me.  And, I suspect, for herself.    

I remember watching a Father’s Day-themed sitcom on television with her.  She volunteered, “Your father was just not good at marriage.” 

I saw tears in her eyes.   I didn’t ask what she meant. 

Another time, we were driving home from my first Little League game.  Without warning, she banged her fists on the steering wheel and sobbed, “Your father was a selfish son-of-a-bitch.”  I had never heard her curse before.  

We stopped for ice cream at Dairy Queen. 

“I’m sorry,” she said. 

“For what?”  

“For not forgetting. For not letting you forget.”  

When she was diagnosed with breast cancer, I took a semester off from college to be with her.  One afternoon, she handed me a yellowed Polaroid snapshot of two laughing teenagers, younger than myself, their arms around one another like they would never let go.  It took me a few moments to realize that the girl with the big smile was my mother and the boy my father. 

“I found it going through old pictures,” she said.  “You should have it.  Good times should never be forgotten.” 

My mother died three years later, withered and wrinkled far beyond her years, wisps of hair platted to her scalp.  At least she got to meet Ella, the woman I planned to marry. 

I handed the photograph to the undertaker and asked if he could make my mother look like that.  He stared at the picture and at me, trying to word a tactful response. 

“Then cremate her,” I said.  

Ella and I arranged a small memorial.  While searching through her papers, we found my father’s name and a telephone number.  Ella urged me to call him. 

“Why?” I asked. 

“Maybe he’d like to attend the service?” 

“What if he does?” 

“Don’t you want to meet him?”   

“No,” I said, throwing his number in the trash.  

I kept the photograph. 

The End 

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Wayne Scheer has been nominated for four Pushcart Prizes and a Best of the Web.  His work has appeared in print and online in such venues as The Christian Science Monitor, Notre Dame Magazine, Pedestal Magazine, flashquake, Flash Me Magazine, Smokelong Quarterly, and Camroc Press Review. Revealing Moments, a collection of twenty-four flash stories can be downloaded at http://www.pearnoir.com/thumbscrews.htm

Flash Fiction On The Installment Plan

Trying to write good flash fiction can be intimating.  This is what you do…

Hello hello hello, my blogging and writing brothers and sisters.  It’s the Old Soldier here with another flash fiction tip.

I’ve been watching a tape of the old film Surviving Picasso starring Anthony Hopkins.  I watch a little of it every day to relax after a day of writing.  That has nothing to do with the subject of this post.  I’m just trying to be folksy…

If you have trouble writing flash fiction, just do it in bits and pieces.

Let’s say you set a limit of 1,00 words for your next piece of flash fiction.  Start with just 200 words.  Then whenever you have the time add maybe another 200 words.  In a few days you’ll have a first draft of a new flash fiction story.  I’ve written a few stories like that, especially when I didn’t know where the story was going.

Come to think of it, it’s the same way I watch a movie…

Don’t miss a single issue of the Pittsburg Flash Fiction Gazette.  Have it delivered to your inbox.  The free subscription tab is at the top of the page.

Think seriously about downloading my Ebook of “show don’t tell” fiction.  Boost your writing to the next level.  The Ebook tab is at the top of the page.

What’s Your Fiction Writing Style?

Let the Reader Write Your Short Story

Short Story Ideas That Work

New Flash Fiction by T.B.H. Ames

Today I have a great flash fiction story for you that is a perfect example of the “show don’t tell” technique that I’m always raving about…

Hello hello hello, my brother and sister bloggers and flash fiction writers.  It’s a wonderful, beautiful summer day in Pittsburgh.  That’s right.  It’s officially summer and we are going to start off this summer with a flash fiction bang.  When the Old Soldier gets a story like today’s story, it brings tears of joy to my eyes.

Put that together with the fact that I’ll be getting a check in a few days for some freelance writing that I’ve done which means the Old Soldier will celebrate his new-found wealth with a six-pack of cold sixteen ounce cans of Pabst Blue Ribbon beer ($5.50 at Armand’s in Pittsburgh’s “Little Italy” in Bloomfield) and you can’t beat it with a stick.

Look around at all the great stuff on this blog.  Don’t take a chance on missing a single issue of the Pittsburgh Flash Fiction Gazette.  Have every issue delivered to your inbox.  The free subscription tab is at the top of the page. 

And now for our feature presentation.

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Returning To Anna

“She left 10 years ago and never returned,” I said while looking down at the bag he was carrying. 

“Oh, I’m…I’m sorry to hear that, Mr. Allen,” the man replied as he carefully set down my luggage inside the cabin.  I gave him a small tip and went inside. 

I didn’t know what coming here would accomplish, exactly, but the last thing I wanted was to be reminded by others of my wife.  I rarely thought about her these days, and yet everywhere I went people reminded me of her for me.  Maybe it was my fault, as I still wore my wedding ring, but it’s my right to do with it as I please. 

Sitting on the bed, I couldn’t help but inventory the room, comparing it to what it looked like in my memory.  I was older now, but still young enough to remember much of that time.  But, still, the room wasn’t the focus of my previous trip, and it certainly wasn’t the focus of this one. 

Fortunately the man had set my bag down close to the bed.  I unzipped the small, red bag, releasing a slight scent of her makeup and perfume.  Clangs of metal rang through the sides of a smaller, ruffled bag as I opened it and dumped its contents on the bed.  Almost child-sized tools now littered the floral pattern of the comforter. 

I gathered the tools and bag, and went into the bathroom, stopping immediately as I was blinded by the light.  After taking a moment to regain my vision, I noticed how the bathroom had changed very little compared to the décor of the rest of the cabin. 

Looking in the partially-polished mirror, my reflection showed my aged face quite badly.  Maybe I just hadn’t noticed at home or perhaps even ignored it, having seen it every morning by itself for the past 10 years.  Or maybe the lighting was just better here, and I had much less to think about being in a cabin all by myself. 

The shower hadn’t changed one bit, which was what I had been hoping.  The showerhead was still rusted — maybe even a little more rusted now — and it even had the same shower curtains.  Or at least the same design, anyhow. 

I set the bag on the top of the toilet seat.  I picked up the small chisel and small hammer, and stepped into the shower.  It didn’t take but a few seconds to see the newer caulking around the large piece of white tile just a few inches away from the bottom of the showerhead.  I raised the chisel to its edge and gently hammered the caulking until it was released from the wall, allowing me to peel the adhesive and tile away without any damage to the rest of the yellow-stained wall.  I took the piece of tile and rested it on the box of tissues sitting atop the toilet’s tank. 

Stepping out of the shower, I moved the bag to the floor so I would have somewhere to sit and work for a little while.  I took a smaller chisel and a suede cloth out of the bag, and neatly laid out the cloth on the marble-looking bathroom counter, exposing an old, worn tile much like the piece I had just removed from the shower wall.  I turned it over, resting it on its face and began chiseling a perfectly round groove within the tile. 

It took several hours of painstaking and heartbreaking work, but once finished I took off the wedding ring I hadn’t been without since her accident the day after our wedding.  After feeling its rough and tarnished edges from years of hurt, sorrow, and depression, I carefully squeezed a bit of glue into the channel and gently set the ring in its rightful place.  As years of tears streamed down my face and through my fingers, I added the remaining glue and fit the tile into the space from which she and I first took it 10 years ago. “Happy anniversary, Anna,” I barely said through my trembling lips. 

I left the cabin with a vow never to return.

The End

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T.B.H. Ames authors novels, screenplays, an educational children’s series, and is a published poet.  He is also an interdisciplinary innovator and inventor.  He can be found on the Web at TBHAmes.com

Garbage In, Garbage Out

Writers, be careful about what you read…

Hello hello hello, my brother and sister bloggers and writers.  It is a beautiful Sunday afternoon in Pittsburgh.  I’ve already been out for a long walk this morning but now it’s only 2:30 p.m. and I’ll probably go for another walk before the day is done.

Walking helps to keep the Old Soldier physically fit the same way reading good writing keeps a writer mentally fit.

I’m re-reading Flappers and Philosophers by F. Scott Fitzgerald again.  I’ve probably read this collection of short stories a dozen times over the years and I’ll keep reading it.

Why?

Because I know it’s excellent writing.

If a writer makes a habit of reading average writing…Need I say more?

You will find some examples of excellent writing right here at the Pittsburgh Flash Fiction Gazette.  Don’t miss a single issue.  Have every issue delivered to your inbox.  The free subscription tab is at the top of the page.

My Ebook of “show don’t tell” fiction is now available for download.  Take your fiction writing to the next level.  Download your copy today.  The Ebook tab is at the top of the page.

Short Story Ideas That Work

Blogging: She Moaned with Pleasure

This Is My Favorite Flash Fiction Story

I have a special treat for you today…

Hello hello hello, all my brother and sister bloggers and writers.  I read somewhere that 75% of the people who visit a blog are first time visitors and they never come back even if they like the blog.

What do you think of that?  Well, last month the Pittsburgh Flash Fiction Gazette got 2,334 visitors, an all time high.  

But today, the Old Soldier is feeling lazy.  So, I’m going to put up what I think is the best story I ever wrote; and I’ve been writing seriously since I was a teenager.  That’s a lot of short stories.  Of course, 90% of them were pretty bad.  This one that I’m putting up today is my best.  I put it up about once a month, whenever I get lazy; but that’s okay because 75% of my visitors today are new and will never come back.

For those of you who have read the story before, I promise I won’t put it up again until…next month.

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The Twenty Dollar Suit

The man hadn’t worn a suit in over thirty years. When he was young he pitied other men his age who had to go to work in suits. He was going to be a great photographer of beautiful, nude women and would dress as he pleased. Well, he did not become a great photographer of beautiful women, nude or otherwise, and now at the age of fifty-five he had to wear a suit. He adjusted his tie.

It was Friday. Standing just inside the main entrance of the hospital, the man saw through the glass of the two sets of automatic sliding double doors his relief coming across the hot parking lot. The parking lot was full of vehicles. His relief was middle age and wore a suit and tie, too. The men were “Greeters,” an entry-level position. The two men stood together just inside the main entrance and watched the people, a few using canes or walkers, making their way to the entrance.

The man’s relief said, “Still in love with that young girl?”

“She’s thirty six.”

“You’re still old enough to be her father.”

“You don’t know the half of it.”

On the way home, sitting in the air-conditioned chill of the 61B bus, the man was glad to have the suit on. He watched the many gravestones of a cemetery pass as the bus rubbered along Forbes Avenue and into Squirrel Hill. Finally, in Oakland the Cathedral of Learning of the University of Pittsburgh came into view and he got off the bus at Forbes and South Craig and turned into the Panther Hollow Inn.

The man’s cousin sat on a high stool at the bar. A few college-age young people sat drinking pitchers of beer in the booths along the wall. One group drank beer and ate pizza. A man and woman gave the news on the muted TV above the bar top and the bar radio was tuned to a station that played the hits of the 60s, 70s, 80s, 90s and of today. “House of the Rising Sun” by The Animals came over the speakers. The song had been the man’s favorite song when he was young and full of dreams. The man sat next to his cousin. The cousin was sixteen years younger and taught mathematics at the local community college. The cousin was a full professor.

“Well well well,” the cousin said when he saw the man in the suit. The man saw the cousin was a little drunk. A beer mug and double shot glass sat on the bar in front of the cousin and both were empty. The cousin said, “You clean up nicely.”

“I feel like someone else.”

“Give it time.”

“Working for the man.”

“Think I like wearing a suit?” the cousin said. “At least now you’re working. I’ll buy you a few beers. You’ll feel better.”

“I’m sick of being broke. Where the hell’s the bartender?”

“Changing a keg.”

When the man left the PHI he spotted a 54C ready to make the left hand turn onto South Craig as soon as the light changed and there was a break in the straight ahead traffic. The man hurried to the bus stop on South Craig. He got off the bus in Bloomfield. He walked down Main Street and crossed over and made a left on Penn Avenue. The suit was hot. Man, was the suit hot. He walked down Penn Avenue until he came to a pottery shop and he went inside. A little overhead bell tinkled as he opened and closed the door. A strikingly beautiful woman sat at a table of unpainted pottery. She wore a rubber apron over her clothes and sat painting a vase. The vase had to be three feet tall. When she saw him she started laughing.

“I knew it,” he said. “I just knew it.”

“No no no,” she said, still laughing. “You look very professional.”

“It cost me twenty bucks at the second-hand store. I got two of them.”

He walked to her and when he bent down she raised her face and closed her eyes. He kissed her lingeringly in the mouth. He straightened up and looked around at all the unpainted pottery that sat on shelves up and down and all along the walls. He thought, business must be good. Sunlight flooded through the display windows. The woman went on painting, quietly.

He asked, “Is something wrong?”

“Oh, you know Cleo.”

“I know her all right. Is anything wrong?”

“She doesn’t want me posing nude for you any longer.”

“I can’t afford to pay you more.”

“She doesn’t want me posing at all. She says you’re invading our private space.”

“Invading your private space,” he said. “What am I suppose to do?”

“Get someone else.”

He said, “Has she seen the last shots? They’re beautiful. You’re beautiful.”

“You’ll have to get someone else.”

“There is no one else. At least no one else for me. It’s the best work I’ve done in years,” he said. “In years.”

“I’m sorry.”

She wouldn’t look at him. He didn’t know what to do with his hands so he put them in the pockets of the pants of the suit. He said, “What exactly do you two do when you’re alone?”

She stopped painting and looked up at him. “What do you mean?”

“You know. When you…”

“When we what?”

“Do you ever think of me when you’re doing it with her?”

For a moment she said nothing. Then she said, “Why would I? This is not like you. This is not like you at all.”

“No,” he said. “It isn’t.”

“Where are you going?”

“It’s not you,” he said. “It’s me.”

“I never lied to you,” she said. “Not once did I ever lie to you.”

The little bell tinkled as he went out. He walked back to Bloomfield. He thought, we never had a chance; we really never had a chance. He waited at the bus stop in front of Del’s Bar and Ristorante. He thought about going inside for a few beers but knew he couldn’t afford to. He caught the 54C back to his apartment. Sitting on the bus and looking out the window, he decided to go to bed early that night. Tomorrow was Saturday. He knew it was going to be another hot day in Pittsburgh. He wanted to get up early before it got too hot. He wanted to get up early and buy a couple more of those suits.

The End

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Don’t miss one issue of the Pittsburgh Flash Fiction Gazette.  Have some of the best flash fiction, articles on writing and blogging and insightful news commentaries delivered right to your inbox.  The free subscription tab is at the top of the page.

Take a moment to download my “show don’t tell” Ebook today.  Boost your writing to the next level.  The Ebook tab is at the top of the page.

Short Story Ideas That Work

Blogging: Buried Gold

Trying To Write Like Hemingway

Have you ever tried to write like one of your favorite writers?…

Hello, my brother and sister bloggers and writers.  It’s the Old Soldier here with some literary entertainment for you.

Remember the old saying, imitation is the truest form of flattery?  Don’t worry if you’ve been trying to write like your favorite writer.  While you’re imitating you’re also learning.  Children learn by imitating and so do writers.  Writing is built on imitation.  You’ll find your own literary road soon enough.

I’ve been trying to imitate Hemingway for years.  I’m still trying to imitate him.  Today, I thought I would share with you one of my more obvious efforts of trying to write like Hemingway.

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The Hemingway Hero

It was night and the rain came down hard on the twinkling lights of the Steel City. The young man stood in his briefs at the window as shadows danced about the unlit bedroom of his off-campus apartment on the eighteenth floor of a steel and glass building. He watched the rain and the lights as the young woman slept in the bed behind him. Both were graduate students. In the morning she was returning to a university on the west coast.

The young woman stirred. “Sweetie,” she said. “What on earth are you doing?”

“Trying to get use to living without you.”

She was silent a long time. The bedroom was filled with the sound of the falling rain. She said, “Come back to bed. Come back to bed and I’ll try to make it better.”

“Better? That won’t make it better. That’ll only make it worse.”

“Not even better for a little while?”

He watched the rain and the lights of the city. When he graduated he would teach in the city. He would live in the city. She would live on the west coast.

“Well,” he said, “maybe for a little while.”

He knew nothing could ever make it better, not even for a little while. He turned and approached the bed anyway. It was the brave thing to do.

The End

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Don’t miss a single issue of the Pittsburgh Flash Fiction Gazette.  Have it delivered to your inbox.  The free email subscription tab is at the top of the page.

Fiction Writing and The Hemingway Effect

Writing Flash Fiction Tweets

Download your copy of my “show don’t tell” Ebook today.  The Ebook tab is at the top of the page.

Writing: Using Yourself As The Protagonist

Probably the easiest way to create a protagonist for your flash fiction short story is to use yourself.  I’ve done it lots of times.  But when a writer does this the writer has to be careful.  Because a character in a flash fiction story is not a real person.  A character in a flash fiction story is a character and must be put together like a character in order to seem like a real person.

First off, a real person simply is too complicated to fit into the framework of a few hundred words.  But to make a protagonist seem like a real person, the writer has to give the protagonist the appearance of being complicated.  The easiest way to do this is to give the protagonist an internal conflict or some doubt or some flaw that the reader can relate to.  At the same time the protagonist must be a basically decent person.

This will make the protagonist seem real to the reader.  So, if you use yourself as the protagonist you may have to reveal some trait that other people may not find attractive about you.

That’s tough for some writers to do.

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The Flash Fiction Lifestyle

Short Story Ideas That Work

The Perfect Ending For Your Flash Fiction

As flash fiction writers, we all know how important the ending of a flash fiction story is.  Well, I have good news and bad news for you.

The bad news is, the ending will make or break your story.  The good news is, there are only three types of endings that you need to worry about.

Every flash fiction story is made up of three parts: the setup, the buildup and the payoff.  If you don’t get the payoff right the story falls on its face.  Don’t worry.  Just remember that the payoff can only be one of three things.

An epiphany for someone in the story or on rare occasions for just the reader.

A change in the direction of the story.

A summation that throws the rest of the story into relief.

That’s it.  Now take a moment to subscribe to the Pittsburgh Flash Fiction Gazette if you haven’t already done so, so that you won’t miss a single issue.  The free subscription tab is at the top of the page.

Short Story Ideas That Work

Writing: Don’t Confuse Your Reader

How To Make Your One-Character Story Interesting

A one character story is very easy to write.  That’s why so many writers write them.  A good one character story is not so easy to write…

Hello, my brother and sister bloggers and writers.  It’s the Old Soldier here with another hot tip on writing flash fiction.

I personally don’t like to write one-character stories.  I find one-character stories too restricting.  I have read a lot of one-character stories.  Few of them are good stories.  A lot of times the action takes place in the character’s head.  The writer has the character having an argument with him or her self.  That’s the right idea.  No matter how many characters you have in a story there has to be conflict (tension) and the argument serves as conflict.

So, if you are determined to write a story with only one character in it make sure that character is in conflict with the self.  To make the story really interesting to a reader, that conflict had better say something about more than just the character having a bad day

Don’t miss an issue of the Pittsburgh Flash Fiction Gazette.  The email free subscription tab is at the top of the page.

How to Write a Short Story with Only One Character

Short Story Ideas That Work

Writing: Don’t Confuse Your Reader

Clarity Is The Best Policy

What is clarity?  This is what my dictionary says clarity is: state or quality of being clear, esp. of sound or expression…

Hello, my brother and sister bloggers and writers.  It’s the Old Soldier here with another issue of the Pittsburgh Flash Fiction Gazette.

Have you ever read something and then wondered what in the hell the writer is writing about.  I’m not talking about writing that is open to interpretation.  I’m talking about writing that makes no sense.  It’s as if the writer has his or her own language and has not bothered to learn how to communicate clearly with the reader.

Now I know none of you are like that because when you write something you go over it several times knowing that what you have written must not only make sense to you but it must make sense to someone else.

Making sense to someone else is what clarity is all about…

Don’t miss an issue of The Gazette.  Take out a free subscription.  The subscription tab is at the top of the page.

Writing: Don’t Confuse Your Reader

How to Write a Short Story with Only One Character

Short Story Ideas That Work

Book Review

BOOK REVIEW:

Compressionism: The Pittsburgh Stories by Guy Hogan

Reviewed by Jan Harris

Associate Editor, Flash Me Magazine

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In “Compressionism: The Pittsburgh Stories,” Guy Hogan presents a series of short stories, and a novella, in a fresh, new, style of writing.

Compressionism, a style developed by Hogan himself, presents a story as a series of images, which can best be compared to a silent film. The stories are set in either the Vietnam War, or against the Pittsburgh college scene.

The very first story in the book, aptly named Genesis, presents Scott Delaney, a character who turns up again in later stories. He is an American Soldier, his helicopter under fire from the Viet Cong. As in all the stories, there is no exposition, the brief scene is told in a series of staccato sentences, which present the events and leaves the reader to interpret them.

“Scott looked out the porthole behind him. Now he could not see the landing zone. There were only trees everywhere. Suddenly they were in the trees. He was flung against the port hull. Everyone shouting. He was flung back against the starboard hull, except now it was the deck. Others fell on top of him, everyone shouting.”

This creates a fast paced, vivid story, which takes shape in front of the reader’s eyes, and which is all the more memorable for the absence of exposition. Hogan suggests that 1,000 words is a good length for a compressionist short story. There are certainly many examples of stories of this length and less in the book.

In just two pages, the Big 5-0 is the story of Nate Johnson on his 50th birthday. The story opens with a photograph of Nate as a young man – a soldier in South Vietnam – and then presents a series of images of him with his family. The skillful combination of these images with totally believable dialogue, gives the reader a compelling snapshot of Nate and his wife and children. The characters come to life in a way that is often not achieved in stories of much greater length.

Although many of the stories are very short, they seem much longer because much of the story is in the sub-text. These are stories that reward readers who like to think for themselves.

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Compressionism: The Pittsburgh Stories is only $6.00.  Download your copy in minutes.

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