Flash Fiction And Chili Powder

I’m a bachelor.  I do all my own cooking.  What I can’t cook on top of the stove I cook in my crock pot.  Today, I cooked chili…

Every writer knows that a short story needs conflict.  Since the flash fiction story can be very short, I prefer to use the word “tension” instead of conflict.  That’s because sometimes a flash fiction story is so short that it can’t handle full-blown conflict but it can easily handle tension.

Tension can be a loving disagreement between a husband and wife.  Conflict would not be how to describe what was going on in such a story…

For my chili, I first browned the ground meat and then threw it and some diced red and green peppers, kidney beans and tomato sauce into the crock pot.  Three hours later I tasted my chili.  It didn’t taste right.  It was missing something.  Of course, I had forgotten the chili powder.  I put a heap of chili powder in my chili and that did the trick…

Don’t you forget to put some tension in your flash fiction…

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How to Write a Short Story with Only One Character

Short Story Ideas That Work

A Flash Fiction Story For Lovers

One way to tighten up your fiction is to have inanimate objects stand in for emotions or insights or for things that maybe can’t be explained.  In the following story the Cathedral of Learning of the University of Pittsburgh is more than just a building.

Hello, my brother and sister bloggers and writers.  It’s hot today in Pittsburgh.  It’s suppose to hit 83 degrees this sunny, Saturday afternoon.  The Old Soldier is reposting one of his favorite stories for you.  It’s long for flash fiction but I’m sure you’ll enjoy it.

Just remember, when writing a flash fiction story even inanimate objects can resonate with meaning…

If you haven’t already, take out a free subscription to the Pittsburgh Flash Fiction Gazette.  You’ll get lots of articles on blogging and writing along with news commentaries and sometimes even a movie review or some humor.  Don’t miss an issue.  Have it delivered to your inbox.  The subscription tab is at the top of the page…

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The Cathedral of Learning

My full name is Jerome Douglas Marshal but everyone calls me JD. Several years ago Carla and I and Walt Trumaine and a Barbara Milton went dancing. An orchestra provided the music. It was the kind of music to dress up for and to dance close. The place was crowded and most of the women wore evening gowns. Carla and Barbara’s gowns had slits way up the left side which gave constant thigh-high glimpses of their sheer pantyhose clad legs while the neckline of Carla’s gown was cut so low it seemed any movement would pop her breasts free. She and I had been through some rough times together but I was hoping the worst of the rough times were behind us and on that particular night she was happy and confident and she looked radiant. Life had given me a second chance. I hadn’t had a drink in over two years. She and I were looking for a place to rent together in Pittsburgh. I hoped that maybe one day we’d get married. The four of us were dancing on the crowded dance floor.  It was ballroom dancing.

“Who is she?” Carla asked.

“Beats me,” I said. “Walt said she’s taking one of his night classes.”

I looked over at Walt and Barbara. Walt was a big man but he moved lightly on his feet. He and Barbara twirled smoothly across the floor while looking into each other’s eyes.

“Oh, my goodness.”

“Carla, don’t stare.”

“Is she married? Divorced? Any children?”

“I don’t know anything about her.”

Carla looked up at me and smiled as we moved smoothly across the floor. Not once that night did I step on her feet.

She said, “Yes you smug bastard you’re getting better.”

“I have a good teacher.”

She sighed.

“Happy?” I asked.

“Why can’t we always be like this?” she said.

I leaned back and looked her over. “That certainly is a very nice dress.”

“Do you really, really like it?”

“Tonight I’m going to rip it off you.”

“JD, don’t get crazy on me. You’ll be paying for a whole new outfit. Handbag, shoes, undies, the works.”

“How much did it cost?”

“More than you can afford.”

When the four of us sat back down the waiter came over and the others ordered another round of drinks. “Sir,” the waiter said to me, “you’re entitled to as many refills as you like.”

“Thank you.”

Later that evening we found out that Barbara Milton was three years divorced with a six-year-old son and that she taught high school math while taking a night class at Pitt to further her ambition of some day being a high school principal. She enjoyed swimming and dancing and bike riding and silent films from the nineteen twenties.

Barbara had to leave at midnight because of her baby sitter so we all left together. Walt and I followed the women out into the warm night of the parking lot; and as Walt and I talked I watched Carla and Barbara strolling on ahead in their chic long gowns and heels. Walt and I stopped as he pulled out a pack of small cigars, offered me one which I didn’t take, lit his and blew out a couple of satisfying puffs.

I heard the car before I saw it. It came squealing around several parked cars. Carla and Barbara were just beyond the cars that formed the lane we’d all been walking in and as the two women turned toward the rushing sound I shouted and started sprinting. As the car swerved toward them Barb grabbed Carla’s left arm and the two women went sprawling to the pavement. I caught a flash of young faces and heard loud, atonal music full of crashing percussion and a bone crushing bass line. Behind it all was unhinged laughter. Then the car was gone. I got to the women. Carla was trying to sit up. Barb crouched over her. Carla had lost a shoe. There was blood on her face.

Carla said, “I think I hurt my ankle.”

Crouched down beside her I said, “Did they hit you?”

“No, but I hit my head.” She patted her face and looked at the palm of her hand in the dim lighting of the overhead lamps. “I’m bleeding.”

I held my clean hanky to her forehead. Walt finally came up. He was breathing hard. Barb stood up and they embraced.

Carla said, “Help me up.”

I helped her but when she tried to put weight on her right foot she flinched. I held her up taking her weight against me.

“My purse,” she said.

“Punks,” Walt said. “Lousy stinking punks.”

Walt gave me Carla’s shoe and I put it in the pocket of my jacket. Barb gave me the purse and I put that in the other pocket. After I got Carla in the car, I drove concentrating on the road. Carla held my bloody hanky to her forehead. She looked over at me and patted my thigh.

She said, “I’ll be all right.”

“I know.”

“People don’t die from sprained ankles.”

I knew the ankle was swollen. “I know that.” I was all jittery inside. I needed something to drink. I needed it bad.

She said, “Or from little cuts on the forehead.”

My hanky she held to her forehead was soaked with blood. “I know that, too. I just don’t want anything to happen to you.”

“Nothing has.”

“It easily could have.”

“But it didn’t.”

I did not relax until the lights of the windows of the hospital came into view.

Fall came and then winter and spring then summer again. One Friday afternoon the cloudless sky was a very bright blue. I sat with the Pittsburgh Post-Gazette and a tall glass of lemonade at a table at the sidewalk cafe of the Union Grill on South Craig and watched the crowd walk by. There were lots of students from Pitt in the crowd. From where I sat I could see the top floors of the Cathedral of Learning. The sun made everything sharp and clear and from habit I opened my newspaper to the classifieds to check out the for rent ads. A shadow passed over me and I looked up.

“Why, JD,” the woman said. “JD Marshal.”

“Cynthia.”

“And what brings you to this neck of the woods?”

“It’s where the wind blew me.”

She sat down. It was a table for two.

“What’s the matter?” she said. “Aren’t you going to buy me a drink? Is that what I think it is?”

“Lemonade.”

“Since when did you start drinking lemonade? I’ll buy us a real drink.”

“Cynthia, to tell you the truth I’m waiting for someone.”

“I’ll keep you company.”

“No, that wouldn’t be such a good idea.”

She sat there; and as she sat there I saw her face change. We sat in silence until she said, “You know you’re only one drink away. I can see it in your eyes.”

“You always were very supportive.”

“I hope you drown in it.”

I watched her walking away for as long as she stayed in sight. I read the paper. I checked my watch. I drank the lemonade. There she is! Carla waved and crossed the street making her way confidently through the slowly moving motor traffic. She came over and sat down. The waitress came up and Carla and I ordered lunch. The waitress left. Carla sat across from me smiling, making me wait. She wore a sleeveless, flower printed short sun dress with strappy, flat sandals. She seemed athletic and very comfortable in her skin. The waitress brought Carla a lemonade and then left.

After taking a drink Carla said, “It’s very good.”

“Yes it is.”

She leaned forward and covered my hand with both of hers. “It’s ours,” she said. “We can start moving in Monday.”

The End

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How to Write a Short Story with Only One Character

Short Story Ideas That Work

Be Happy You Have Writer’s Block

Writer’s block to a writer is like a punch is to a boxer.  You’re going to get hit.

And just like a boxer, the flash fiction writer who has run out of ideas has to get back on his or her writing feet and continue to write.  It’s important for us to realize that writing is more than just a job.  Writing is a lifestyle. 

A boxer doesn’t go to the gym and skip some rope and punch a bag and go a few rounds and then goes home and forgets about boxing.  That boxer has to eat right and sleep right and stop smoking cigarettes.  That boxer has to live a boxing lifestyle to be successful.

Writing flash fiction means living the flash fiction lifestyle which means always being aware of situations in life that will make for good flash fiction.

Writer’s block is just the ringing of the bell before the next round.

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Writer’s Block (A Short Story)

Short Story Ideas That Work

Let The Reader Help You Write Your Story

It’s the Old Soldier here on a beautiful Thursday afternoon in Pittsburgh with another hot tip on writing the flash fiction story.

Hello hello hello, my brother and sister bloggers and writers.  You know writing the flash fiction story really takes two people: the writer and the reader.

Think of the writer as a painter, a very modern painter who paints only the outline of a picture in dots.  Then the reader comes along and connects the dots and fills in the rest of the painting.

Putting the right number of dots in the story is not easy.  Too many dots and the story remains flat.  It has no depth.  Too few dots and the reader has no idea what the story is about.

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The Flash Fiction Reader

The flash fiction writer must put the right word in the right place.  Each word in a very short story must not only carry its own weight but must also move the reader’s eyes to the next word much as I’m doing now.  Each word should be a link in a chain that links to the following chain until all the chains create a story.

The story itself must not explain everything because to do so would leave no room for the reader’s imagination.  Imagination allows the reader to participate.  Without this participation on the part of the reader the story and the characters in the story would remind flat.

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Don’t miss a single issue of the Pittsburgh Flash Fiction Gazette.  Have it delivered to your inbox.  The free subscription tab is at the top of the page.

Short Story Ideas That Work

Fiction Writing and The Hemingway Effect

News: Bankruptcy May Be BP’s Only Option

The American public and the world are witnessing the worst environmental disaster in U.S. history unfold in the Gulf of Mexico.  Investors are deserting BP.  All along the coast of the Gulf of Mexico seafood businesses, shrimpers, oystermen, the tourism industry and drilling crews that have been put out of work because of the oil spill at Deepwater Horizon all want money from BP.

BP has become poison to its own industry.  Experts in the oil industry are now secretly wondering how long BP can sustain not only the cost of the clean up but also the years of litigation that will come from the thousands of lawsuits that are only now beginning to be filed in court.

Many in the oil industry feel that Chapter 11 bankruptcy for BP is only weeks away.

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Short Story Ideas That Work

Don’t Write Like This

If you have been reading this blog you may have come across the phrases “show don’t tell” and “cinema on the page.”  These two phrases capture the essence of the unique method of writing fiction that I call Compressionism which means using words to paint a picture that tells a story.  Through trial and error over a period of more than 40 years I have found the “show don’t tell” method of writing to be the more effective means of allowing the reader to live within a piece of fiction. 

The ebook for sell on this blog is a perfect example of this sort of writing.  But sometimes a writer needs to know not only how to write a piece of flash fiction but also how not to write a piece of flash fiction.  Because flash fiction is so short many writers create short stories that are more like essays than short stories.  They have a tendency to over use exposition.

Exposition is fine and many very good flash fiction stories have been written just from exposition.  Yet when a writer over uses exposition that writer is summarizing the story, telling the story.  That writer is getting between the reader and the characters in the story.

I wrote the following story years ago and although it may be well written it is all exposition.  I would not write this story the same way today.  Today, it would contain a lot less telling and a lot more showing.  I would have the characters “act out” the story.  It would be a better story.

I encourage you to download the ebook.  It cost only $6.00.  Not only will it entertain you but it will also help your writing reach a new level of excellence.   The ebook tab is at the top of the page.

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Jocks And Ballerinas

When Scott Delaney turned eighteen he joined the army to get away from killing his father who would get drunk and beat his mother. He attended Point Park College in Pittsburgh just before he joined the army and went to Vietnam when the college was still a two-year institution, a junior college. After he was discharged from the army and after he enrolled and finally dropped out of Duquesne University in Pittsburgh he hung around at Point Park College for several years. He wasn’t an official student but many of the professors knew of his serious interest in writing short stories. His youngest brother was president of the student body. Scott was admired by his youngest brother who introduced him all around. Scott became well-known on campus. He was issued a special library card and could take out books just like a student. He carried his notebook and collections of the writings of Hemingway, F. Scott Fitzgerald, John O’Hara and Gertrude Stein everywhere he went. He usually sat at the same table in the snack bar, writing in his notebook and watching the students.

By chance he had picked an empty table where the female ballet dance majors always sat. He was surprised when several student ballerinas in black leotards and white tights, their dance bags slung from a shoulder, came over and sat down. It was their table and that’s where they always sat. So, he always sat there, too. You could tell a student’s major by where the student sat. There was mixing but the groups stayed relatively stable.

The school had a fine baseball team. Many of the jocks on the team belonged to this one fraternity which had the worst reputation of any group on campus. Sometimes in the snack bar they really carried on occasionally bringing their bats and taking full swings at imaginary baseballs. Scott was always afraid they’d smack someone walking by. It never did happen while he was there. He became friendly with the president of the fraternity. He joined the fraternity as a “social” member.

The president of the fraternity was no saint but he was constantly worried about the wilder behavior of some of the other members. It was funny. It was like riding a souped up truck with one foot on the gas and the other foot on the brake.

Still, to be a dancer or a jock you had to work through a lot of pain to become any good. Not until years later, long after he had stopped hanging around Point Park College and was putting together his first book of short stories, did Scott Delaney realize he liked jocks and ballet dancers for the same reason.

The End

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Short Story Ideas That Work

Flash Fiction As Great Theater

For those critics who say the flash fiction story is too short to deal with the grand emotions of life, I say you’re wrong.

Hello hello hello, my brother and sister bloggers and writers.  It’s the Old Soldier here with another insight that I hope you will find useful in writing the flash fiction story.

Because flash fiction is so short, it must deal with the perception that it can only portray the trivial in life.  It’s a legitimate complaint.  How does the flash fiction writer portray hope and despair, life and death, love and sexuality and relationships in general in only a few hundred words?

It’s very simple.  The flash fiction story captures that moment in time when the reader can say, this is significant to this character or these characters.  And the event doesn’t have to be large.  It can be small.  The flash fiction story is perfect for capturing the small events in our lives that are significant on a grander scale.  Flash fiction is the minor note that is an echo to the entire symphony of life.

So, it doesn’t matter what the scale of the situation is, the important thing is the event captures the exact moment when something significant happens.

The flash fiction writer captures a significant moment in time.  Which means flash fiction can deal with anything.

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Don’t miss an issue of the Pittsburgh Flash Fiction Gazette.  Have it delivered to your inbox.  The free subscription tab is at the top of the page.

Short Story Ideas That Work

Flash Fiction and Nudity

Take Out Your Free Subscription Today

A subscription to the Pittsburgh Flash Fiction Gazette is free.  The Gazette is dedicated to bloggers, readers and writers.  This is what you get.

You get a contest with a cash award for flash fiction writers.  You get great flash fiction stories about life, sexuality, love, friendship, boyfriends and girlfriends, husbands and wives, hope, lust, despair and the social life of students at the University of Pittsburgh.

You get concise essays full of practical tips on the craft of writing fiction.  You get concise essays full of practical tips on the business of building a blog.  You get insightful commentaries on subjects of national importance.

You get an ebook that demonstrates in detail the art of “show don’t tell” fiction so that you too can master this unique technique of “cinema on the page.”

So, what are you waiting for?  Take your own writing and reading to the next level.  Have every issue of the Pittsburgh Flash Fiction Gazette delivered to your inbox. 

The free subscription tab is at the top of the page.  

Short Story Ideas That Work

The Awesome Power Of Your Imagination

By the time a writer lives to the age of eighteen that writer has enough life experience to write a novel or a play or a collection of flash fiction stories.  The writer may even have the necessary skill to write a novel or a play or a collection of flash fiction stories.  But what that writer really needs is imagination.  I’m not talking about making things up.  Five-year-old children can make things up.  I’m talking about making things real.  And since this is a blog about writing, I’m talking about making things real on the page.  For this the writer needs short-story imagination.

Short-story imagination is a special kind of imagination.  It’s the kind of imagination that can re-arrange reality into the form of the short story.  That form is the setup, the buildup and the payoff.

A skillful writer with short-story imagination could even make up a pretty good flash fiction story out of something as simple as drinking a latte.

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Crazy Mocha

It’s 2:45 p..m and I’m in the Crazy Mocha in Bloomfield.  I tell the young woman behind the counter that this is my first time here and could she suggest something.

“I’ve sold a lot of Caramel Lattes today.”

“Okay, I’ll have that.”

I’m really not a coffee drinker but I’m trying something new.  While she makes my latte I scan the board against the wall over her head that list what the place serves and the prices.  Then I notice an advertisement for hot chocolate on the wall that I walked past as I entered but paid no attention to.  I should have gotten that, I say to myself. 

I take my Caramel Latte to one of the small tables in the back that lines each wall.  I take off my windbreaker but leave on my hoodie with the hood down, long shoreman’s cloth cap still on my head.  I put my package of bleach and mouth wash on the chair across from me at the little table, my windbreaker draped over the back of the chair. 

There are three customers in the back with me and two customers at different tables up front next to the big window that looks out on Liberty Avenue, the sky overcast.  All five of the other customers are working at their laptops, the three in back with me face toward the big window up front like I do but the two that sit next to the window face away.  I’m the only person with a pencil and pad.  I’m also the oldest person in the place.  Several customers stand ordering at the counter.  Soft alternative music comes from the PA system.  The lights are medium low; but bright enough so that I don’t need to put on my glasses to write.  The place is relaxing.  I drink my latte and jot in my notepad.  Finally, I check my bus schedule.  Finish my latte.  Bundle back up, get my package, take my cup and saucer up front, say goodbye to the young woman and leave. 

I’ll definitely go back.  It’s a good place to write but I won’t order a latte.  Next time I’ll order the hot chocolate.

The End

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Don’t miss a single issue of the Pittsburgh Flash Fiction Gazette.  Take out a free subscription and have The Gazette delivered to your inbox.  The subscription tab is at the top of the page.

Short Story Ideas That Work

Blogging: Free Your Imagination

Four Links For Writing Great Dialogue

Dialogue is the most powerful tool the flash fiction writer, or for that matter any writer, has for bringing his or her characters to life.

Because flash fiction is so short, many writers fall into the trap of using exposition to the exclusion of dialogue.  There are some fine stories that are made up entirely of exposition.  But if you look up the definition of exposition, exposition means to “explain,” to tell the reader the story instead of “showing” the reader the story.  When a writer tells the reader a story that writer gets between the reader and the characters.

Exposition is very useful for condensing time.  Dialogue is for slowing down time.  When a writer can slow down time, the reader is allowed to “live” in the story.

Dialogue is the best way for the writer to slow down time.

The Importance of Dialogue in Fiction

Writing Great Dialogue Made Easy

The Five Elements of Dialogue in Flash Fiction

The Best Way to Write Dialogue

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Don’t miss one issue of the Pittsburgh Flash Fiction Gazette.  Have it delivered to your inbox.  The free subscription tab is at the top of the page.

Afternoon Of A Flash Fiction Writer

It’s around 6:00 p.m. Saturday and I’m stretched out on my back on the sofa with two pillows under my head and pen and paper in hand.  The television is mute, broadcasting Fox Saturday Baseball: The Marlins and The Mets.  I’ve eaten several bite-size Milky Way Candy Bars.

Several tapes of foreign films checked out from the main branch of the public Carnegie Library of Pittsburgh sit on the cluttered low table next to the sofa and underneath the table are three books also checked out from the library: The Sun Also Rises and The Torrents of Spring by Hemingway and Flappers and Philosophers by F. Scott Fitzgerald.  It is amazing that after all these years I still read the same authors over and over again.

Out the window it’s just finished raining but the lingering clouds are much brighter.  They are so much brighter that I make a momentous decision. 

Tomorrow I will clean the bathroom.

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Don’t miss an issue of the Pittsburgh Flash Fiction Gazette.  Have it delivered to your inbox.  The free subscription tab is at the top of the page.

Short Story Ideas That Work

How To Recognize A Good Idea

Looking for a good idea for a short story can drive a writer crazy.  I know.  It happened to me.  One time I searched for over a week for a good idea for a flash fiction story only to wake up one morning on the living room floor drunk and fully dressed with the words: royalty, sex and violence=no no cried the princess, someone is pinching my leg scribbled in pencil in the opened notebook on the floor beside me.

I stopped drinking that brand of beer.

Hello hello hello, my brother and sister bloggers and writers, the Old Soldier is here to tell you that anytime you’re having problems coming up with a good idea for a short story don’t blame your material.  You have great material.  Your material is all around you.  The problem is you have to put your material into the proper form.  The proper form can be stated in several ways.

The setup.  The buildup.  The payoff.

The problem and its resolution.

The beginning.  The middle.  The end.

The protagonist wants or needs something.  The protagonist struggles to get it.  The protagonist fails or succeeds.

Catalysis.  Tension.  Solution.

So, good short story material is all around you.  You just have to work your material into the proper form.

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If you’re looking for good examples of the flash fiction short story form, you have come to the right blog.

Look around.  There are flash fiction stories about love, lust, life, friendship, sexuality, marriage, college, Vietnam, writing, blogging; there are stories about boyfriends and girlfriends, husbands and wives.  There’s even a story about writer’s block…

Plus, there are all kinds of short, helpful essays on blogging and writing and much more…

Don’t miss an issue of the Pittsburgh Flash Fiction Gazette.  Have every issue delivered to your inbox.  The free subscription tab is at the top of the page.

Short Story Ideas That Work

Little Italy In Pittsburgh (A Food Festival)

The Old Soldier remembers what it was like to be young and in love…What?  I knew you wouldn’t believe me.  Oh, my blogging and writing brothers and sisters of such little faith.  I’ll prove it to you.  But before I do let’s get a couple of things out-of-the-way…

I’m always encouraging readers to take out a free subscription to the Pittsburgh Flash Fiction Gazette.  Look at all this stuff around here.  If you’re a blogger or a writer, you can’t beat this content with a stick.  So don’t miss an issue.  Have every issue delivered to your inbox.  The subscription tab is at the top of the page.

The other thing is, you do know The Gazette has a flash fiction contest, right?  That tab is at the top of the page, too…

These warm, sunny days in Pittsburgh are perfect for walking.  The Old Soldier takes long walks.  And while I’m walking I think about love and life and sex and death and money and writing.  You know, the usual. 

Well, today I took a long walk from my apartment in Oakland near the University of Pittsburgh into the Bloomfield neighborhood and I saw a poster in a store front window.  The poster was about this year’s Bloomfield “Little Italy Days” Festival which will be held on September 24, 25 and 26.  The poster reminded me of a flash fiction story that I wrote a few years ago about the festival.  This is the story that I wrote. 

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La Dolce Vita

Bloomfield is a neighborhood in Pittsburgh. Because of the large number of people of Italian heritage living in the neighborhood, Bloomfield is known as “Little Italy.” For three days every year during the nice weather a food festival is held.

Food booths line both sides of Liberty Avenue. The smell of hot sausages, green peppers and onions and many kinds of pastas and their sauces cooking fill the air. There are also stands cooking and grilling non-Italian foods like Chinese fried rice with beef, shrimp and chicken and all kinds of egg rolls. Other food stands serve gyros, shish kabob, humus, ribs, kielbasa, hamburgers, hot dogs and chicken. There are many stands that sell things a customer cannot eat but the things are nice to buy.

The songs of Frank Sinatra and Dean Martin issue from large speakers. The crowds flow leisurely back and forth. The crowds are made up of people of many different ethnic backgrounds. Adults push babies in baby carriages. At different times during the day musicians and singers perform on a stage setup on a blocked-off side street. Sometimes the singers sing in Italian. Above the heads of the crowds, on flag poles up and down the avenue, the red, white and green bars of the Italian flag snaps in the breeze.

Brad Wilson was happy. He was happy because Kristin Clayton walked beside him. He’d known her for more than a year and now they were both sophomores at the University of Pittsburgh; but this was the first time he’d actually asked her out. He was pretty sure she liked him. They’d spent a lot of time together freshman year with mutual friends but this was the first time he’d actually asked her out just by herself.

“Brad, look,” Kristin said. “Smoothies.”

“Want one?”

“I love smoothies.”

They waited in line and he bought two from the woman behind the stand and gave one to Kristin.

“Thank, you,” she said.

The two continued slowly strolling with the crowd.

She said, “It’s good.” She smiled up at him.

“It is good.”

They kept strolling. Overhead, the flag of Italy snapped in the warm breeze. Brad was working on his courage.

“Ah, Kristin?” he said.

“Hummmmmmmm?” She was watching the sights.

“Ah, well, see I was thinking. I mean maybe…Well I really like you and, ah, we’ve known each other for more than a year now and like I was thinking maybe you would like to be my girlfriend.”

She stopped walking and looked at him. He could see she was confused.

He said, “I mean no pressure. I mean we’re really good friends and that’s…I really like us being good friends. I like doing things together.” He thought, that was weak. Man, that was so lame.

In silence they strolled on. He thought, think of something to say. Quick, think of something to say.

Kristin, concentrating on her smoothie, said, “I was kind of hoping that I was your girlfriend.”

The End

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Short Story Ideas That Work

New Flash Fiction by Daisy Peasblossom

It’s another joyous occasion here at the Pittsburgh Flash Fiction Gazette.  It brings tears of joy to the eyes of the Old Soldier when I can showcase the work of another writer. 
 
I want to take this moment to encourage anyone who has ever thought about publication to consider submitting to The Gazette.  You will find the Old Soldier very supportive.
 
Now don’t make a rookie mistake and just start throwing stuff this way.  Read and follow the submission guidelines.  Click on the submission tab at the top of the page.
 
Publication in The Gazette is a win/win situation for both of us.  It’s a win for you the writer because you get to showcase your work in the best flash fiction blog on the internet and a chance at a cash reward.  It’s a win for the Old Soldier because I get to make the acquaintance of another writer.
 
Now my brother and sister bloggers and writers here is our feature presentation.
  
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Out Of The Frying Pan
 
Tommy was in trouble. He’d been in trouble since first thing this morning when he chose to read Space Ranger Avatar instead of taking out the trash. He’d been so engrossed, he didn’t notice till the trash truck was pulling away. He’d been in trouble when he spilled the last cup of milk before his sister had any. He’d been in trouble when he accidentally glued his model to the new carpet, and he’d REALLY been in trouble when he slapped his sister for stepping on it before the glue solvent would make it let go. He knew he was in super trouble when he ran out the screen door and away from Ma when she came after him with the switch.

But none of this compared to the trouble he was in now. The crumbling wood of the pole he was clinging too dug into his hands. His right knee stung and bled, but he was afraid to spare a hand to pick the gravel and splinters out of it. There was a big chunk gone out of one of his pants legs. Below him, a large pit-bull alternately pounced and played with the matching piece of fabric, then bayed and slavered at the bottom of the post begging for the rest of him to use as a chew toy.

Tommy slipped a little on the pole, getting a splinter in his hand, but he didn’t dare let go. The dog leaped at the pole, her pie-bald nose wetly quivering, her mouth wide like a toothed pit of doom as she bayed at the terrified boy. Glancing down over one arm, he could see the powerful muscles in each jaw; the muscles that would allow her to clamp onto him and not let go till she had bitten completely through. He tried to hitch a little higher on the pole. It creaked alarmingly, and swayed a bit.

A querulous male tenor, cracking a bit from hard use of the vocal chords, inquired from the nearby house, “Bessie? Bessie-girl! What is that ye’ve got treed?” A stooped old man came out of the back door. The screen door banged behind him.”Weeelll…I’ll be how-de-dood! Look at that…looks like a boy possum. Come on, heel girl, heel!”

Bessie ran over to the man, and sat beside him. Her little stump of a tail beat up dust clouds as she wagged it and grinned up at her owner.”Come on down, boy. Bessie won’t hurt you; she’s trained to tree and hold, not kill.”

Tommy slid down the pole, abrading both knees, and getting a new splinter on the way. “Come on in, boy. Let’s get you cleaned up.If ya don’cry when I takes them splinters out, I’ll show ya Bessie’s pups. They’s one reason she was so riled up. How’d ya come ta be in my backyard anyways?”

So while the old man picked the splinters and gravel out of his knees and hands, Tommy told him the story of the garbage truck, the milk, the model and slapping his sister across the face. He was truly brave, and only yelped once when the biggest splinter came out.

“Ya done good,” the old man said. “I’ll bring in a pup for you to see.” The screen door banged, and the old man came back holding a wiggling fat pup. Bessie stood at the screen, looking worried.

Tommy held the pup on his lap, stroking the soft hide, and scratching the little soft ears. It was a girl pup, colored like her ma; she was brindled red and brown with a couple of big brown spots on a white background. She worried his thumb with needle-sharp little puppy teeth. “Massage the back of her jaws ta make her let go, an’ don’let her do that,” the old man directed. “Teach a pup to be rough, an’ it’s hard to unteach ’em later.” Tommy followed the old man’s directions, then petted the baby on its head once more. Bessie whined at the screen door.

The old man held out his hands for the puppy. “Best put her back now, Bessie’s worrit about her baby. Then we’d best get you home to your ma.”

As they walked back, the old man said, “So’s how’d you get in my backyard again? I think I missed that part.”

Tommy stopped and dug a hole in the dusty path with one toe. “Weeellll…I knew I was in a heap o’trouble soon’s I smacked Sis. I was a-runnin’an’hoppin’fences. Din know there’s a dog a-hinst.”

The End

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Daisy Fernchild (Peasblossom) is  a teaching librarian at an  elementary school four days a week, and certified librarian-in-charge one day a week at a very small technical college. Her favorite things to do are read, write, draw, and make obnoxious noises that she calls music. She has published work on Triond, Bukisa, Ehow, Helium, Factoidz and Experts123.

 

Sexuality And The Serious Flash Fiction Writer

Human sexually sure is a great topic for a flash fiction writer to tackle.  I know I’ve written my share of very short erotica about the power of sex and its consequences.  Of course, I was young during the sexual revolution of the 60s.  The “pill” was an easy way for a woman to enjoy sex without becoming pregnant.  I think that was a good thing.  But sex does not happen in a vacuum.  Writing about sex presents the serious flash fiction writer with a difficult problem.

First, the flash fiction story is so short that a realistic depiction of a sex act could easily take up the entire storyline.  What to do?  What to do?  In a well written flash fiction story sex should never be just about sex.

Well, my brother and sister bloggers and writers the Old Soldier is going to let you in on a deeply guarded secret of mine.  I try to make the sex in my flash fiction a metaphor for something more than just two bodies doing the nasty.  That way the story has depth.  It’s about more than just sex.  My erotica is always about relationships and never about sex.

And number two, the sex in my stories is realistic but never pornographic.  That way my characters seem more like real people to the reader and not like figments of an old man’s imagination.  Pretty neat, huh?

This is the Old Soldier reporting from Pittsburgh.

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Short Story Ideas That Work

Orgasm (A Flash Fiction Story)

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