Writing: Are You In The Zone?

Working on a Dream

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There is a certain state of mind that seems to help writers to write better. 

Hello, my brother and sister bloggers and writers and my Flash Fiction Fanatics.  It took the Old Soldier years to get into the proper writing state of mind and to be able to stay there for much of the working day.

That writing state of mind is just a heightened awareness that everything you do, everything you say, everything you see and everything you think can be used in your fiction.  It is the awareness that life is the fertile soil that the seeds of your fiction must grow in.

It is a state of mind that allows the imagination of the writer to transform reality into art.

This awareness is not something that the writer floats in and out of.  It is an awareness that is conscious and continuous and it takes practice.  So that after so many years of practice it becomes the natural state of mind of the person who uses words to capture life on the page.

Are You In The Zone?

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In The Garden Of Love

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It’s around 8:30 AM on a cloudy day in Pittsburgh.  The high today will be in the 40s.  The radio is tuned to the 24-hour news station and the blogging day has begun.  Explore the site.  Check out the flash fiction, the articles and the photos.  And don’t forget the tabs at the top of the page.

Keep reading and keep writing.

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Description Will Set You Free

That Freud.  He knew a thing or two about description.  Of course he was talking about the world of dreams but the world of dreams and the world of the flash fiction story have a lot of things in common when it comes to description.

Hello my brother and sister bloggers and writers.  What is the purpose of description in the flash fiction story?  Well, since every word in a flash fiction story must count more than one way, description has to be more than just description.  The more that a flash fiction writer can control what description says about the story and about the characters in the story the deeper that story will be.

If you’re writing a 400-1000 word story, the scene is one of your most powerful tools to make the story come alive for the reader. In the scene there is conflict and action and usually dialogue. You are showing and not telling.

But to break up this blur of movement you may want to throw in some description: let the reader know where the story is taking place, what your characters are wearing and what they look like. Excellent. Just keep in mind that the locale of your story, what your characters are wearing and what they look like should be “intentional.” Description must have a purpose.

Don’t mention a character’s blue eyes simply because you like blue eyes. Don’t mention that the color of a woman’s dress is red because it’s the color that popped into your head at the time. You want to be in more control of your craft than that. What pops into your head during that rush to get words down on paper during the writing of the first draft is fine; but during revision ask yourself, does the color of his eyes move the story forward? Does the color of her dress explain something about her?

In other words, description must do at least two things. It must ground the reader in the physical world of the story and it must tell the reader something more about the story than the reader’s senses or intellect can detect. I don’t want to get Zen on you but you want something in the story to appeal to the subconscious of the reader. Why the subconscious? Where do you think all of our stories come from? And of course the subconscious of the writer is connected to the collective subconscious of the species. But I’m getting way ahead of myself. This is Compressionism 102. Let’s just say that in the world of your story a kitchen should be more than just a kitchen. A river is more than just a river. A color is more than just a color and the Cathedral of Learning of the University of Pittsburgh is more than just a building.

When you get a pattern of these subconscious signifiers going your story will begin to echo with an undercurrent of meaning that you are in some conscious control over. You won’t have total control over your signifiers because your subconscious will have something to say about that; but the control that you do have will make your story deeper. And the shorter a story is the deeper it should be.

Short Story Ideas That Work

Writing, Thought & The Short Story

We humans are the only creatures on earth that have written language.  Written language is symbolic.  The word “chair” doesn’t look anything like a chair.  It is my contention that it is this ability to take an abstract symbol like the word “chair” and to match it up with a physical “thing” that makes us conscious.

But it is the ability to use written language as a symbol for things we cannot see, like the word “God”, that makes us truly human.

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The Pittsburgh Flash Fiction Gazette is always open to short story submissions.  Writers (bloggers) should read and follow the submission guidelines.  For a free critique of your story click on the Free Help For Writers tab at the top of the page.

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