Writing: The Power Of Observation

cover of The Return of Sherlock Holmes, by Art...

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There is a new Sherlock Holmes on the Public Broadcasting System on television.  The series is set in present day London, but our hero still has super powers of observation and deductive reasoning that allow him to solve cases that other detectives are clueless about.

This is why show-don’t-tell writing is far more effective than writing that uses a lot of exposition.  Exposition is explanation.

If the writer can put the right concrete words in the right order, the reader will see, smell, hear, taste and touch (feel) what is going on.  There is little need for lots of exposition.

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Sonny’s Tavern Has A New Popular Drink

I walked to Sonny’s Tavern this afternoon.  The sun was shinning.  It was a very pleasant walk.  Debbie was behind the bar.  I had the place to myself until Tim, a regular, came in. The three of us talked.  Tim had copies of the City Paper.  There was a write-up about a special drink at Sonny’s: a shot of vodka chased by a shot of pickle juice.  This combination is very popular and is served every Tuesday night.

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Retirement is pretty good if you have enough money to enjoy your freedom and you are relatively healthy.

Later this month I will be able to add a military pension to my Social Security and my pension from Giant Eagle; so, I should have enough money and I have no pains.  The Old Soldier appreciates his good fortune.

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Fiction: Foxes by CL Bledsoe

Red fox. Picture from Skandinavisk Dyrepark, D...

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They came at night, while he was sleeping. He woke to their cries, just beyond the light leaking from the clock face by the bedroom window. It read 2:23. He thought the sound was a child, screaming, maybe one of the neighbors. He rose to search the house, but the noise was coming from outside. He went over to the window and peered out, but saw nothing, only heard the screaming which abruptly stopped.

At work, he forgot about the noise amidst the bustle and boredom of the day. On his drive back home, he thought of the movie he would watch on TV, the dinner he would eat, the book he’d read in bed. He pushed his work from his mind and settled into the happiness of pure escape, until the screams started, again, around 2:30 a.m., shocking him awake. This time, he found a flashlight and shone it out the window, revealing the sharp face of a red fox. It howled again, screeching like an infant being devoured, and ran off. Two other forms followed it.

The next day, he researched foxes. All around him, people typed in cubicles. The noise of it, the garish colors, made his head hurt, which was strange; he’d been working in offices like this most of his adult life. He tried to read the screen, but the sharp pain in his forehead made it difficult. That afternoon, he tried to watch a movie, but couldn’t concentrate. He napped instead and ate a light dinner. Still, when they woke him that night, it was a surprise. He went to the window again and watched their hazy forms move through the darkness. Three of them. What he’d read made it seem odd that three of them would stick together. Maybe it was a family—maybe a mother and two cubs. He wondered if they lived nearby, but couldn’t imagine where. The interstate was a couple blocks away. All around, it seemed as though there were nothing but streets and buildings. Still, maybe there was some outpost of nature not far away; what did he know. He hadn’t really paid attention to much outside of his apartment in quite a while.

The next afternoon, he napped again, and this time, he slept lightly. Every branch scraping against the roof woke him. He dozed; time passed like a skipping record, and he sat bolt upright several times only to concentrate on the sound of nothing. The next morning, his alarm woke him and he stumbled out into his day, all the while, wondering why they hadn’t returned.

The next night, he woke again around 2:30. There was no sound. It was perfectly quiet except for the noise of traffic, which he suddenly disliked. He wished it was quiet, so he could hear. He wished he knew more about them. He lay listening for a long while, the image of the whitish face, the red fur, rising in his mind.

The End

Bio: CL Bledsoe is the author of two poetry collections, _____(Want/Need) and Anthem. A short story collection, Naming the Animals, was just published by Mary Celeste Press. His story, “Leaving the Garden,” was selected as a Notable Story of 2008 for Story South’s Million Writer’s Award.

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