Flash Fiction By The Numbers

If you’re a writer of flash fiction, if you blog about the very short story, if you care about the precision of words then there are certain writing parameters that you should seriously consider as you prepare your micro-fiction for submission.  Submission is the test.  Acceptance is the reward.

Has every single unnecessary word been cut.  Usually, adjectives and adverbs are unnecessary words.

Is there at least one round character in your story.  A round character has internal conflict or self-doubt.

Do you get your characters into action as soon as possible.  Long intros may be good for the blues and jazz but they tend to suck the air out of flash fiction stories.

Is the ending believable within “the context” of the story.  A supernatural ending is believable if it happens within the context of the story.

As an editor, I can’t emphasize this last one enough.  Did you read and follow the submission guidelines of the publication you are going to send your submission to.  You would be surprised at how many writers don’t.

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New Flash Fiction by Paul Beckman

Study Habits     

 

Friday afternoon I saw the Rabbi from our congregation in Barnes & Noble.  I passed in front of him as he was sitting at a table in the RELIGIOUS section reading and taking notes. A large coffee table size book, THE KABALA, MOSES & THE CATSKILL TUMMLERS, was resting on the table as he held it upright with one hand and wrote with the other. I don’t know what he was doing in New Haven at four in the afternoon when he should have been home in Westbrook preparing for Shabbes and the evening service. I was almost tempted to go to Temple and see if maybe the Kabala had Moses as a Tummler in his early days. 

As I scurried around an aisle of books, off to his side—almost behind him, I felt like a cartoon character hopping from tree to tree. I wanted to get a glimpse of his writing. Moving another row I could see over his shoulder. I was like an umpire leaning over the catcher waiting for the pitch. I separated several books for a better view. Two teenage girls I knew walked by giggling and avoiding eye contact. I smiled and motioned a hello. Looking up at the books I’d pushed out of the way I saw that I was in the GAY & LESBIAN section.  

Just before the Rabbi closed The Kabala book and slid his chair back I saw a flash of yellow and black. The book didn’t close all the way. Putting his note pad in his pocket he walked from the table towards the door. I came out of hiding and lifted the cover of the book. I saw another tucked inside, much like my old Mad Magazine inside my Physical Geography book in high school. The inside book was OLD TESTAMENT SERMONS FOR DUMMIES. I knew that information would come in handy some day but I wasn’t sure how.  After all, what could I extract from the rabbi—A holiday aliyah, a business endorsement from the bema during one of his sermons? I knew I’d think of something. 

I once again considered going to services to listen to his cribbed sermon, but instead I called my wife, Elaine, to meet me in New Haven for dinner and a movie. Elaine didn’t share my feeling of having ‘gotten the goods’ on the Rab Man. I saw this as a religious experience of sorts—a gift and signal from above. Elaine, loving and supportive as always, saw it as sophomoric.  

The following week the Rabbi called and asked me to drop by his Study. After exchanging pleasantries and hemming and hawing for an interminable few minutes, he finally came out with the reason for the visit. He offered his support should I ever decide that I wanted to “walk out of the closet” as he put it. I thought about the two girls and realized where he’d gotten his misinformation. He nodded his perception of a wise man nodding conspiratorially as I told him that his information was wrong and that he should tell the girls that they were mistaken and let the rumor die. 

I stood to leave and he gave me a stiff hug goodbye, which made both of us uncomfortable. He had no idea that I knew about the Sermons For Dummies book. No one, not even a man of God, learns an easy lesson, I wanted to tell him, and follow it up with a hug of my own; but I silently left his study carrying the smell of his beard with me still trying to figure out how to benefit from my golden nugget of information. 

The End   

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www.paulbeckmanstories.com   

Paul Beckman sells real estate.

Some publishing credits: THE CONNECTICUT REVIEW, ONTHEBUS, THE WRITER’S VOICE, PLAYBOY, 5 TROPE, OTHER VOICES, DOGMATIKA, NORTHEAST MAGAZINE, PARTING GIFTS, FICTION WAREHOUSE, WEB DEL SOL, JEWISH CURRENTS, TIGHT, PITTSBURGH FLASH FICTION GAZETTE, RIVERBABBLE, EXQUISITE CORPSE, COLLECTEDSTORIES.COM, OPIUM, CLEAN SHEETS, THUG LIT and SUGAR MULE.

Flash Fiction & Movie Technique

Do you go to the movies or watch movies on video?  Ever notice how a movies starts?  Nearly every film begins with what is called the “establishing” shot.  The opening credits are shown before or after the establishing shot; or sometimes the opening credits are shown during the establishing shot.  But a film is seldom without this very important device.  The establishing shot orients the viewer, establishing a frame of reference for the rest of the story.  Short short and very short story writers can learn a great deal from this.  I know I have.  I was a student and then a member of the Pittsburgh Filmmakers for about three years.

The establishing shot is usually done in wide angle, taking in as much as possible.  Then the camera moves in closer to begin the story.

Many times sudden fiction also has an establishing shot: The beginning or introduction.  And it serves the same purpose: To orient the reader so the reader can then follow the rest of the story.

If you’re a writer (blogger), take care with your establishing shot.  You don’t want your reader to start the journey lost.  The reader might decide to quit before the journey ends.

The Sanctuary (A Very Short Story)

Scott Delaney and Dave Bowman sat on high stools and drank mugs of beer at the bar in The Sanctuary which was near the main campus of the University of Pittsburgh.  This was before The Sanctuary went out of business.  It was Thursday afternoon.  Scattered among the stools and tables were several customers drinking, laughing and talking.  Some were eating.  One read The Pittsburgh Press.  Another did homework.  Over the sound system came music from a radio station that specialized in rock from the sixties and seventies.  That night was beer blast night at The Sanctuary which meant two skins at the door and two bits for each small plastic cup of beer there after.  Scott was going to return later that night.  He always enjoyed beer blast night.  He was thirty five and had just found a new job.  It wasn’t much of a job but it was a job.  He started Monday.

“They’re two totally different crowds,” his friend Dave Bowman was saying.  Anyone could see the friend lifted weights.  “Here I never knew what to expect.  You get a really mixed crowd here.  I’d walk up to someone and tell him he had to leave.”

“‘Who the hell are you?’ he’d say.”

“I’m the bouncer.”

“‘Oh, yeah.’”  Dave grabbed his crotch.  “‘Well bounced this!’”

“Across the street,” Dave went on, “it’s kiddie land.  Mommy and Daddy foot all the bills and gave them a new car for high school graduation.  I doubt if half of them have ever even seen a fight let alone been in one.  So, one night I’m off duty drinking at the bar.  You should’ve been there.  Four paddy wagons took a shit load of them out for underage drinking.  All false IDs.  No way for the doorman to tell.  They have them printed up professionally.”  Dave swiveled slowly on his stool away from the bar and looked around.  He said, “Man, you don’t know how much I miss this place.”

The End  

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Young Love (A Short Story) www.authspot.com/Short-Stories/Young-Love.634887

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