An Open Letter Of Rejection To A Flash Fiction Writer

 Dear _________:   
 
Thank you for your submission.  This story has several major issues that keep me from publishing it.  First off there is far too much telling going on here and not enough showing.  By that I mean the author tells the reader what is going on.  What you should do is to get the characters inter-acting among themselves as soon as possible.  The easiest way to do this is the use of dialogue.  The more dialogue, the more the characters are inter-acting.
 
Secondly, be sure that your tenses match up.  You mix your tenses and you mix your point of view.  The story is told in third person.  Then you have a sentence that is the first person.
 
Maybe this will help.  A flash fiction story tries to capture a moment in time.  Try to write something that takes place in a few minutes (or a few hours) that shows what the viewpoint character’s life is like with her parents.  Don’t explain (tell) the reader how the viewpoint character feels about her relationship with her parents and how they treat her, show it.
 
Or maybe this will help to explain what I mean.  What action or actions will show the situation?  You only need a few minutes of action (or a few hours) to do this.  The action (s) will imply this family’s relationship. 
 
This “show don’t tell” concept can be difficult to explain.  Your best bet is to go to the magazine, go to the sidebar on the left and click on Flash Fiction Short Stories by Guy Hogan.  These stories are there for entertainment and for information.  Study a few of them.  They are the best examples on the internet of “show don’t tell” flash fiction.  Notice how little time is spent in telling the reader how the characters feel, what they are thinking and what happened in the past.  What they feel, what they are thinking and what happened in the past should be implied by what the characters say and what they do within a very limited time frame.  Of course, you will find exceptions to this “show don’t tell” concept, but the exceptions are just that: exceptions.
 
I don’t want you to imitate the stories; but I do want you to find your own style of “show don’t tell” writing.  The less explaining there is in a flash fiction story the better.  Your story has far too much explaining in it.  It reads like an essay.
 
And give yourself time.  Revision is not a dirty word.  The story has the feel of being thrown together.  Whether this is true or not I don’t know; but a good routine to follow when writing a flash fiction story is: a short outline, a first draft and then two or more drafts before hitting the send button.  This routine can take several days.  That’s a good habit to get into.  It will guarantee that you will eventually be a better flash fiction writer.  It will guarantee that you will become a better writer, period.
 
Please accept this critique in the spirit of fondness that it is being offered.
 
Oh, please, no subtitles in your story.  Flash fiction is much too short for that and you are not writing an article.
 
Guy 
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What’s The Point Of Flash Fiction?

“What is the point of flash fiction?”  Well, from a writer’s point of view, the point of writing flash fiction is to give a reader a complete reading experience within a few hundred words.  And for a reading experience to be complete (now we are talking about short stories here) the experience must contain a significant event with a resolution.

That would be the point for the writer.

I guess the point of a flash fiction story for a reader is entertainment.

*****

If you would like to try writing a flash fiction story, I would like to see it.  If you have never read a flash fiction story before, why not read a few of the stories on this blog and then send me something.

The Submissions tab is at the top of the page.

Can Raymond Carver Teach Us About Flash Fiction?

Now I’m the first to admit that I’m a Hemingway man.  I stole everything I cold from Hemingway about point of view, dialogue, concrete sense details and the sequences of action.  He taught me to distrust adjectives and adverbs.  He taught me to distrust exposition.  He made me a believer in show don’t tell.

He lived a very colorful life, a life full of exotic places and manly adventures.  I could try to imitate his writing technique but I did not live the sort of life he lived.  I really don’t know the kind of people he knew.

Raymond Carver wrote about the kind of people I knew, working-class and middle-class Americans.  When I read Carver I had an epiphany.  I could make flash fiction gold out of the life I knew, the life I lived.  This is an especially important lesson for flash fiction writers to learn because so much of the very short story is about capturing the significant, quiet moments of life.

This is a lesson that every blogger and writer must learn.  Or the way I like to put it, “There are no boring stories, only boring writers.”

Here’s a story from the archives of the Pittsburgh Flash Fiction Gazette.  I’ve never been married.  When I wrote the story some time in the 90s I was still hanging in the college bars around the University of Pittsburgh.  The protagonist in the story seems pretty lonely to me…

Divorce

I stand at the upstairs bar. Two couples walk in. The doorman checks their IDs. The one girl must have a pretty good fake ID. She comes closer and I see the irises of her eyes are violet. She’s a stunner. A shoulder-length mass of shiny auburn curls frame her face. Both couples sit at the bar. She’s on my right. The rest are farther down. The DJ plays “Don’t Stop” by Fleetwood Mac. The girl plays air guitar. She leans toward me and says, “Great song.”

“Yeah.”

When the song ends, she wants to know, “Are you an alcoholic?”

“What?”

“Are you an alcoholic?”

I’m wearing a black leather jacket, a black pullover jersey, a wide black leather belt and tight faded blue jeans with black motorcycle boots. I’m thinner, my brown hair is touching my shoulders and I hope the gray is not too noticeable.

I go, “I hope not.”

“My parents say people who go to bars alone are alcoholics.”

“It was either stay in or go out alone.”

“You’re not dating?”

“Well, no. You could say I just broke up.”

“I’m dating six different guys.”

“Do they all know each other?”

She tries to explain who knows or doesn’t know who, confusing both of us. I think she’s nineteen. The young guy next to her wears an old denim jacket with the collar turned up. He talks to the other couple with his back to us. Telling her date she’s going to the bathroom, she slips downstairs with this preppy type, a white sweater tied by the sleeves around his neck. Ten minutes later she’s back sitting on her stool. “Rock Steady” by Bad Company comes from the speakers.

“So,” she lowers her voice, “which one should I pick?”

I lower my voice, “No way for me to tell.”

“I mean which one looks the best?”

“What kind of looks do you like?”

“I mean with me. Which one looks best with me?”

She’s wearing this lovely, expensive looking, dark blue long-sleeve blouse with a high stiff collar, black slacks and black flats. Her skin is flawless. Those violet eyes.

I tell her, “The one with the sweater around his neck.”

She throws her head back and laughs and claps her hands. She has good, white teeth.

I lean in close and whisper, “How old are you?”

She whispers back, “Sixteen.”

She and her friends leave. The place gets crowded. Too crowded. These two young women work their way to the bar. From the speakers comes “Love Hurts” by Nazareth and the joint is a madhouse.

“Let’s stay here,” the blonde one says to her friend. She turns to me and says, “You mind moving down some?”

I’m standing shoulder-to-shoulder with the young guy on my left. “There’s no room.”

“There’s lots of room.”

Her hair is crimped and hangs down to her waist. A black minidress seems to have been tattooed on her. She looks fantastic in it. She’s pretty. A hint of makeup. Lovely, strange hazel eyes. She talks to her friend while her butt presses up against me.

Her friend is in a looser white mini. She seems to be the younger one of the two. Brown skin and nice makeup. Her black curly hair so short I can see her scalp. Dark brown eyes and high cheekbones and a very kissable mouth. The three of us get to talking.

The blonde says to me, “Call us Mick and Stick.”

I go, “What do you do?”

She says, “I hang out.”

I ask, “You in school?”

She says, “I just hang out.”

“How long have you been hanging out?”

“Nine years.”

“Nine years? You must do something.”

“I work out.”

“You don’t have a job?”

“My folks own several apartment buildings and one day I’ll just manage one of their apartment buildings.”

The dark one says, “I’m going to be a doctor.”

Mick? Stick? She’s dancing in place or doing what young people call dancing: sex standing up.

“You’re pre-med?”

She nods and watches me watching her undulate. She turns slowly in place all the way around and then when she’s facing me again she puts two fingers in her mouth and sucks on them. She pulls them out with a pop and laughs loudly. She has a wonderful laugh. The blonde rolls her eyes.

Later, I have a fresh bottle of beer. Nearly everyone else drinks from little plastic cups. Mick and Stick have moved on. A voice says to me, “Here you are all alone standing up against the wall.”

It’s Brian. He has a full bottle of beer. We sit at one of the small tables in the short hall between the barroom and the dining room. The other tables are filled with young couples probably on dates.

Brian says, “I saw Marybeth.”

“Who?”

“Marybeth. You know. Marybeth Jenkins.”

“That redhead in our old poli-sci class we both dated. You’re kidding. How long ago was that?”

“Yesterday I saw her.”

“What do you mean you saw her?”

“She was strung out sleeping in a doorway.”

“No she wasn’t.”

“I got her name.”

We work on our beers. “Gimme Shelter” by the Stones is coming out of the barroom behind me. I look up at this table of diners, probably a family.

He says, “I gave her a twenty. She didn’t know me.”

I try to think happy thoughts. This cutie in a gray sweatshirt with the Pitt logo on the front of it comes walking out of the dining room toward me.

I call out, “Go Panthers!” and smile.

She calls back, “Go fuck yourself!” and walks past.

Brian explodes into laughter. He pounds on the table. “The look on your face.” He sits there laughing, wiping the tears from his eyes. It takes a while before he settles down. I try to think happy thoughts.

Finally in control again, he says to me, “Bobby has a new band.”

Bobby Coleman is around our age.

He says, “The local college radio stations play them pretty good.”

I finish my beer and stand up. “Still doesn’t get him jack.”

“You never know.” He finishes his beer and stands up.

“He’s been at it since he was a kid.”

“Just don’t you give up.”

“One good thing.”

“What’s that?” he says.

“We waited till the kids were grown.”

“That’s one good thing.”

“The only good thing.”

“I’m here for you.”

“I know.”

Outside, we separate. I stand and watch the on rushing headlights of the right to left one-way traffic. I watch the flow of students. I take in their faces, gestures, clothes and hair. Some of them are shouldering backpacks.

The End        

********************

Love Hurts (A Short Story) www.authspot.com/Thoughts/Love-Hurts.668183

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