Never Start A Story This Way

Varsity Walk

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Novice writers often make this mistake.  Don’t you make it.

Hello hello hello, my brother and sister bloggers, creative writers and Flash Fiction Fanatics.  When I was teaching at the University of Pittsburgh as a grad student I was thankful that none of my writing students turned in a short story that began with the protagonist waking up in bed and thinking about life.

And don’t you do it either.  Doing it is the equivalent of having dead air on the radio.  It’s the equivalent of starting a one hundred-yard dash standing straight up instead of being done in the starting blocks.  It’s the equivalent of waiting for a bus with a group of other people and then when the bus arrives you get on the bus and only then start searching for your bus fare instead of getting on the bus with your money in your hand.

Don’t do it.

Click on the Ebook tab at the top of the page to download your copy of Compressionism: The Pittsburgh Stories.

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What Writers Can Learn From The Movies

Show don’t tell.  Show don’t tell.  Show don’t tell.  When I was a teaching assistant at the University of Pittsburgh from 2004 to 2006 I was constantly telling my writing students to “show don’t tell”.  What does “show don’t tell” mean? 

It means presenting a short story in a way so that the reader sees in his or her mind what is going on in the story instead of the writer “explaining” what is going on.

Seeing something is far more immediate than being told about something.  But just how does a writer write in such a way that the reader can see the story in his or her mind?

The only way for a writer to make a story more visual is to describe actions and things.  A reader can see an action.  A reader can see a thing.  But the writer must not write about any action or thing.  The writer must write about those actions and those things that are invested with meaning.

In this way, the flash fiction, short short, very short story and micro fiction writer must spend less time writing about thoughts and emotions and more time writing about meaningful actions and things.

This is why a “show don’t tell” story will always be tighter than a story that explains.

The ebook that is available here at the Pittsburgh Flash Fiction Gazette is a perfect example of “show don’t tell” fiction.  Just go to the sidebar on the right and click on the link to download your copy of Compressionism: The Pittsburgh Stories.

YouPorn Sex (A Flash Fiction Story) by Guy Hogan

Brianna Frost

It was the first hot day of the year in Pittsburgh. Students from the University of Pittsburgh sprawled in the grass sunbathing. The good-looking young man walked beyond the students and down a street to the crowded tables of a sidewalk cafe. A beautiful young woman waved at him from one of the tables. He sat at her table. A tall mixed drink was in front of her. A waitress took his order. The man and woman sat saying nothing. The waitress brought him a glass and a bottle of beer. The man poured some of the beer in the glass and drank it off. The man and woman sat looking at each other.

She said, “I fell in love with you because you were a wild man. Now you’ve become such a prude.”

“For not wanting to have sex on the Internet?”

“We won’t always be young.”

He finished the rest of his beer. He sat thinking, holding and watching his empty beer glass. He looked up at her, considering.

“All right,” he said.

“Really?”

“Maybe it’ll be fun.”

“Of course it’ll be fun. And we’ll make money. We’ll make lots of money. You know why?”

“Why?”

“Because we’re young. Because we’re beautiful. Because we’re good. I have a friend who makes a living from online videos.”

“What’s her name?”

“Brianna Frost.”

The End

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Flash Fiction: Barbara’s Adult Video

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